​

My practice centres on film, photography, sound installation, and expanded cinema. Working across video, installation, sculpture, performance, and intermedia, my work explores the physicality of place, spatial perception, and viewer interaction.

Themes of emotional and spectral observation run through the work, alongside questions of presence, memory, and the unstable nature of experience. I am interested in how place holds both visible and invisible histories—how it can carry affect, narrative, and traces of injustice, intimacy, and change.

Working across single- and multi-channel video, installation, and experimental sound, my practice often moves between documentation and constructed or fragmented narratives. Sound and image are used as interrelated materials, shaping environments that are both reflective and immersive.

Influenced by contemplative approaches and extended durations, the work often resists fixed resolution, instead opening spaces for attention, perception, and slowness. Installations may take the form of gallery-based works or expanded, site-responsive projections.

​